1. |
P.M.Q.s
01:41
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PMQs
What happened to democracy?
He spaffed it up the wall!
What happened to integrity?
He spaffed it up the wall!
What happened to our N.H.S.,
The nurses’ pay, an honest press,
The legal right to loud protest?
He spaffed them up the wall!
What happened to the Zillion quid?
He spaffed it up the wall!
What happened to the trade we did?
He spaffed it up the wall!
What happened to our common aim,
Our amity, our sense of shame?
He spaffed it down the bloody drain,
Then spaffed it up the wall!
Where did our common senses go?
We spaffed them up the wall!
Where’s social justice? Do you know?
We spaffed it up the wall!
Where’s all the righteous workers’ fury,
Legal Aid and trial by jury?
He spaffed it up young Jen Arcuri
who spaffed it up the wall.
So, Jenny, what’s he like in bed?
As gentle as the Walking Dead.
He wheezes as he wets the bed.
His foreplay’s just like kneading bread,
The only thought that’s in his head
……… is spaffing up the wall.
(Coda)
He spaffed it up the wall, he spaffed it up the wall,
The bin bag full of custard just spaffed it up the wall.
(repeat until the wheels come off)
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2. |
Radio Safe
05:10
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Radio Safe
Hey, sponsor friendly DJ
We’re asking you to play
This little bit of music
That we made the other day.
No need for you to worry
No need for you to pray
Because it’s ‘radio safe’
It’s got nothing to say.
CH:
We are Radio Safe,
We say nothing at all.
We won’t make you think
As you’re having a ball.
We’re on Radio Safe,
Joy without delay
Happy in the morning
And happy all day
With repeats ad infinitum.
We will take your pain away
Tune in to Radio Safe
Safe from troubles & dismay
We don’t sing about the climate
we won’t talk about the poor
we never mention politics
won’t recognise the war
we’ll make you feel nostalgic
for the hits of yesterday
that play on Radio Safe
as we’ve nothing to say.
We’ve avoided all the questions
That we’ll need to ask quite soon
But in the snoozy meantime
We’ll just sing about the moon
We’ll sing about enduring love,
Love lost or unrequited
We’ll keep it ‘radio safe’
No need to get excited
There’s nothing controversial
There’s nothing Socialist.
They’ll play anyone’s request,
If your request is on their list.
They’ll even give you updates
On a sanctioned state of play
We all love Radio Safe
Because it won’t get in the way.
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3. |
Blow Me Home
04:14
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Blow me home
In the head-rush of the west wind
And the skin-kiss of the sun
In the gut-churn of the breakers
And the soul-pull of the moon
In the ear-lick of the curlew
And the tongue-tie of the gull
In the nerve-ease of the shadows
And the face-slap of the squall
Blow, blow sou’wester, Blow, blow me home.
Blow, blow sou’wester, Blow, blow me home.
In the mood-hiss of the blown sand
And the heart-tug of the tide
In the brain-bath of the shimmer
And the thought-hush of the cloud
In the ball-grasp of the water
And the breath-gasp of the gale
In the faith-doubt of this heaven
And the joy-lift of the swell (rpt chorus)
In the eye-fizz of the white-wake
And the mind-thud of the sail
In the death-fall of the feather
And the birth-tick of the quill
In the love-sigh of the sunset
And the hope-swell of the dawn
Is the poet, and the lyric
Of the murdered heart, reborn.
Rpt. chorus.
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4. |
Blubbercocky
04:06
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Blubbercocky
When I was young and Santa old
and children did as they were told
I'd dream as swans with wings of gold
flew to the Milky Way.
Behind them pigs would loop the loop
as scented breezes cooled my soup
white elephants would glide and swoop
and whistling, would play.
In rhubard trees they'd build their nests
as politicians combed their crests
and swallowed all the Eton mess
throughout the live-long day.
Nose-candy mountains, hubris too,
had dropped us in an Irish stew
and warm seas with Elysian view
called us to sail away
from truth and credibility
and wise but dull maturity.
Straight to the sirens' call were we
drawn closer every day.
In pea-green boats upon a lake
of Trukazade our thirsts we'd slake
while feasting on some Kobe steak
the magic geese would lay
so we could gorge on golden eggs
as we bestrode the world on legs
made up of malted whisky kegs
we'd flown down from Islay.
Then foaming "champers" at the mouth
we'd stripped the world from north to south
while calling Truth a "blabbermouth"
we'd sing "Callooh! Callay!"
But then the dreaded Blubbercock
we met before we'd taken stock
that nothing was there left to hock
to pay the pipes to play.
We climbed the magic money tree
to sniff the air, to watch the sea,
to spot the luckless refugees
and blame them for the way
our government had stolen all
the nation's wealth and had a ball.
The money tree was left to fall,
it rots there to this day.
Soon nonsense will the last word be
at parties where the mushroom tea
is brewed by madder hats than we.
Let's desperately pray!
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5. |
Dawg-Gone
04:32
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Dawg Gone
He's thawing in the ashes made from verses of his past
and he knows there's little comfort as the embers will not last.
So, he carries on regardless of the tempus fugit-ting
with a sightless search for wisdom and a senseless hope of Spring.
He took a tumbril to the lawcourt for the chica who played scared,
paid the taxman and the axeman, who'd insisted no-one cared.
He thought she hadn’t cheated him, that she’d been good as gold,
‘til the lawyer said the Last Rites as his life was bought and sold.
Gid along little dawggie, gid along.
Don’t look back behind you, your alone.
Ride on through the desert,
across the mountains and you’re home,
Gid along little dawggie, gid along.
He'd been malleable and ductile, like Bazooka Joe in June,
He’d tried to fight the good fight but she’d always come too soon.
He'd impressed her with linguistics ‘til the girl just had to crash,
but his mouth had written cheques that his libido couldn't cash.
He chose exile, not contrition, took the bull by both the horns
as he rode into the sunset in his Stetson made of thorns.
Even then he tried to follow down the path to righteousness,
as he stumbled thru a desert where they couldn't love him less.
Now he sets it all to music made for dancing round a pole,
and invests in pharmaceuticals - Viagra for the soul.
His vision maybe blurred at times by tears, or by rain,
on his cider-tinted spectacles of existential pain.
In his moments of reflection when the glitter-pills abate,
life's not a bitter ballad with no bridge nor middle-eight.
It's a symphony of choices where the darkness holds the light,
and that light informs the voices, telling him he'll be alright.
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6. |
Rockabilly Rough-House
05:01
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Rockabilly Rough-House
When punk'd had its better days dragged screaming through the muck
and New Wave hit the 80s like a 44-ton truck,
Hanging on its coat-tails came the time of laissez faire
When money wrote the music, and most bands just did their hair.
But ghosting right among them all, a band stayed quite well hidden
The band were called The Lost Boys, they were good at what they did
But other bands went for the cash while these just went for broke
The problem was that resolution all went up in smoke.
They couldn’t quite get out of bed to catch the gravy-train
Their talent was a driving force, they just failed to attain
The dizzy heights of stardom where the air was pure and clear
Of any sign of conscience that could cost a band so dear
Downbeat broken-hearted tears turned into New Romantic ‘s blood
When Rockabilly rough-house turned a trickle to a flood.
There were quiffs & stiffs & blaring riffs, all colouring the scene
The bouncers bounced, & girlfriends pounced, the language was obscene.
So, when they hit the nightclub on the same bill as King Kurt
They played about as upbeat as a penitent’s hair-shirt.
Exactly what you shouldn’t do to a Psychobilly crowd,
Whose cries of disapproval were about to get quite loud.
It was sounding like a séance much more than a great night out
With a cheerless New Romantic mood about to get snuffed out.
There were bottles, beer, and barstools flying graceful through the air
With oaths & screams, & barely teens. Each one with too much hair.
I was introducing someone’s head to the floor quite forcibly
When a mountain of a bouncer said, “Oi! Leave that work to me.”
He showed me quite precisely what I hadn’t known ‘til then
with his hand so tight around my throat I thought it was the end.
He said in such a friendly tone “I think you need some air.”
And then without a goodbye kiss he threw me down the stairs.
The Lost Boys were all bleeding as they picked up their guitars.
They’d been surprised that their demise was written in the stars
The time for mournful tedium was buried in the past
The Psychobilly rebels had just kicked its skinny arse.
They combed & preened & Brylcreemed every quiff & every curl
Ttheir duck-arsed necks were unperplexed by an ever-changing world.
The moral of this story is “Shit or get off the pot!”
The revolution’s coming whether you like it or not
It’s no good wearing last year’s style or playing last year’s riffs
The music scene won’t hang around for moribund old stiffs.
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7. |
Stars In Our Eyes
03:52
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STARS IN OUR EYES
Twinkle twinkle prying star, we don’t wonder what you are
up above our world so high, lurid rhinestone in the sky.
When the blazing sun is gone you turn your piercing gaze upon
whoever would snuff out your light or won't go meekly with-out fight.
At times the traveller in the dark might thank you for your tiny spark,
but if they sense your shifty lies, you sparkle ‘til you blind their eyes,
& in the dark-blue sky you keep a watch & through our curtains peep,
to see if we are half awake, receptive to the news you fake.
But as your bright and tiny spark misguides the traveller in the dark,
I wish, I wish you were a star & I didn't know just what you are.
So, twinkle most beguiling spy until you own the Earth & Sky
& keep me calm with fairy tales & win my heart as my mind fails.
Dazzle, dazzle darkest star. Who'd save the world from what you are?
You're guided by a cunning hand, your balls & tinsel blight the land!
A voice that whispers truth is faint among the stars we choose to paint,
like little diamonds in our Sky while tits & glitz seduce the eye.
Our new God's show cannot fall flat, so twinkle, twinkle, gaudy twat!
Be-glitter me in sparkly trash, bedazzle with a golden stash
of coins to take my pain away. Noel, Noel! I want to say,
Baptise me at your vapid font & make me trivia never want.
Oh! Fill me up with careless joy & let me win that cuddly toy.
Oh! Sing and dance you ageing star; the papers told us what you are,
& where & when & whom you'd had. A little mud is not that bad
when flung by men who blur the truth, by slipping gin in your vermouth.
So let them build a paradise as Armageddon's danced On Ice.
All that glitters never fades; no scars nor tears to hide with shades.
The Glimmer Twins will never age & Heaven's never in a rage.
Dad’s Army’s on a painless loop. Toothless, we slurp nostalgia soup.
I hope, I hope I'm paranoid & all my worries turn out void
of truth & credibility, then I'll embrace the New TV.
Now heaven's here! It’s yours! It’s mine! On channels 1 to 999.
No need to wonder who we are if we just watch that twinkling star.
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8. |
The Artist
03:21
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The Artist (1980)
He was painting the gutter of Wind Street,
like a Jackson Pollack, in bile.
His bitterness twisting his insides,
on his outside the ghost of a smile.
His show had been on at The Mission
where his pictures had sold like Van Gogh's
& along with the plaudits & back-bites
he'd received twenty-seven fuck-offs.
His vision was fine, ‘til he'd shared with the world
what had made his heart sing at first sight,
now he just sees in dull greys and blacks swirled
round occasional pinpricks of light.
He'd been framed & mounted, that last, from behind.
He'd been strung up & hung out to dry,
but his blacks had been blacker than all the reviews
and his highlights too bright for the eye.
They'd all drunk the free wine that had flowed from the font
of his Altruists' Church of The Arts,
Where, an hour ago, they'd had Zeitgeist in spades,
now they'd all become Philistine farts.
He's unsung, undiscovered, and misunderstood
and a light year ahead of his time.
For the talentless blind he's a talent too good
and a pearl that's been cast before swine.
Yes, an artist he was, and an artist will be,
through a change from the fine to the rough,
but his category still begins with a 'P',
where the pavement is canvas enough.
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9. |
The Gravity Of Loss
05:48
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The Gravity of Loss.
1. Ignition
Once upon a burning grain of sand, I wished for a bright and beautiful Dutch ballet-dancer called Marianna. She had long blonde curly hair, deep-blue eyes, and a smile as bright as any star.
My wish was answered - well over sixteen years later – with a bright and beautiful Spanish salsa dancer called Arianna. She had long dark curly hair, deep-brown eyes, and a smile as bright as any star.
Now, decades later, it is obvious, that I had under-estimated the gravitational effect of six thousand sunsets on the arc of my wish. It also seems obvious that I shouldn’t have wished at the end a long day in the pub.
2. Lift Off
Wishing on a star is not as easy as poets would have us believe.
Do they mean comets, meteors, or stars, or even satellites? Taking it to extremes, it could be a titanium spanner that some space-cowboy has dropped in the celestial works.
But if I have understood anything from the countless theorems and hypotheses coming out of the University of Hollywood, the romantic, wannabee lover needs to wish, not upon a constant, and common, burning ball of radioactive hydrogen, but upon the, whimsically fleeting and unreliable, “falling” or transiting celestial body, or particle.
For simplicity’s sake, let us assume they mean meteors.
It would save us a lot of hand wringing, if poets were as sensitive about astronomical terminology as they are about prepositions and their ethereal and romantic notions.
Anyway. Now, we must predict, precisely, where and when one (a meteor, not a poet) will burn its way across our sky, then we need to calculate the coincidence, or the intersection, of our wish with the, so-called, “star’s” celestial trajectory.
We shall need to have determined our wish’s mean velocity, having reckoned for the drag of doubt or disbelief, and for the gravitational pull of a heavy heart, even for the dynamic efficiency of the syntax and lexis used in expressing it.
Pitiful exclamations of woe and tristesse sent into the heavens, over a tear-stained cambric sleeve only serve to muddy the waters.
It was discovered, apocryphal years ago, by the Head of Melancholic Forlornness at the metaphysics department of The Oh Christ! College, Cambridge, that unless precise attention is paid to the quantum minutiae of the grammatical expression of our wishes, they may turn back in the air and contaminate us with the “friendly fire” of our own rash romance.
We need, also, to gauge the angle of response, bearing in mind the centrifugal and centripetal forces of the world’s spin and orbit over the duration of our computed time-wish continuum, if we are to be in the right place on the Earth’s surface when our granted wish arrives. And all of this in just the fraction of a second that the star burns.
Apparently, hundreds of beautiful Dutch ballet dancers have found themselves romantically involved with the wrong person, due to sloppy calculation and vaguely expressed desires.
All in all, modern internet dating services are more practical. They neither cost you the Earth, nor the capacity to recognise when you are already in Heaven.
3. Fallout
Not even Einstein was able to figure out the gravity of loss.
Even he mis-calculated the influence of un-balanced men
on the purity of his balanced equation.
So now, I have lost faith in pure romance and impure science.
Which is why I can be found, on summer's nights,
watching sparks of space dust showering us with light,
wishing for no more than this turning heaven wishes me.
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10. |
Russian Doll
03:14
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Russian Doll
He drives a Vauxhall Vodka, or maybe Ford FuKA
He’s a right old Tommy Tanker so he won’t get very far
He’s a social climbing banker but he needs a better car
He’s looked at Nissan Knobheads and at Tesla’s 1KR
His name may well be Kevin, or just as likely Shane
Whichever way you see it, he’s just a bloody pain
With his window down and his bass on boost
He’ll drive you half insane
With his two-tone horn and his social scorn
He’s full of wild disdain.
He’s looking for a motor. He suits a Skoda Skank,
He’d like an Audi Arsehole but he’s nothing in the bank
He’d settle for a Beemer, which needs no other name
He’d drive a Jaguar Jerk-off, if it didn’t look so lame.
His name may well be Brian, or just as likely Wayne
Whichever way you see it, he’s just a bloody pain.
With his window down and his bass on boost
He’ll drive you half insane
With his 2-tone horn and his social scorn,
he’s full of wild disdain.
Now Kevin’s bought a Vulva, made in Sweden by Volvo.
And Karen likes to grind his gears until he lets it go.
They’ve slimed up both the back seats,
Now they’re working on the fronts.
They’re both inside each other,
It’s a Russian Doll of c**ts.
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11. |
Woke Up At The Wheel
03:03
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Woke Up at the Wheel
I woke up at the wheel of love, doing over ninety-five.
On a cold and rainy afternoon, felt good to be alive.
I was dreaming most the time of home, 200 miles to run,
The woman I had on my mind should’ve been the only one.
My eighteen wheels all humming low, Sweet Morpheus taking hold.
My heartbeat was the motor hauling tons of idiot’s gold.
Drove my truck right off the road.
Got out alive, but lost my load,
Had semen’s demons in my head
Those trucking Devils turned gold to lead,
Priapic idiots just have no shame
There’s no-one else for me to blame
I’d broken every penile code.
When I arrived, she’d hit the road.
I woke up at the wheel of love, having run right off the road,
Could plainly see the way I’d come, I knew what I was owed.
Spent too much time away from home, held my fate right in my hand
Coulda quit while I was way ahead; didn’t work out like I’d planned.
I’m the Pirate of Pyrites now; I’m the fool who won’t be told.
My heartbeat was the motor hauling tons of idiot’s gold.
I woke up at the wheel of love, going under like a stone
In the cold and lonely aftermath, felt sad to be alone
The nightmare of the homeless heart has a thousand hours to run
I’m drowning in what might have been much brighter than the sun.
Before the wheels came off my truck any fool could have foretold
I was heading for disaster, hauling tons of idiot’s gold.
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12. |
Zero Hours
02:35
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Zero Hours
I feel I’m dying every night,
I’m sleeping on my feet,
I’ve always loved the daylight,
but we hardly seem to meet.
Through missing days, I slumber,
through the nights I work in hell.
I clock on as a number,
but I clock off as a shell.
I’m a “zero hours” employee
without the time to cry.
The irony is killing me,
but I can’t afford to die.
Let’s sharpen up our pitchforks
and build the barricades.
Let’s all clean the guillotine
and man the palisades.
I’m working so their cash will flow,
not trickle down to me.
I’m sweating so the C.E.O.
can fly across the sea,
all the way, on a working day,
to a shameless Cayman Isle,
where he can stash a load of cash
from my work and his guile.
I’m a “zero hours” employee
without the time to cry.
The irony is killing me,
but I can’t afford to die.
Let’s sharpen up our pitchforks
and build the barricades
Let’s all clean the guillotine
and man the palisades.
I'm just a part in their machine
expendable as dirt
No more individual
than a polyester shirt
I've been made in The UK,
pay homage to Mammon,
I've equal rights to trilobites
My work goes on and on
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Tom Kingsley Newport, UK
Tom Kingsley (aka Brian Phillips) has been a poet for 50yrs and thinks he might just be getting the hang of it. Always trying to look at life, even the grotesques and gargoyles of the world, with humour, he hopes to bring about regime change, revolution, and the salvation of nature by scribbling a few words and then singing or reciting them into that new fangled gramaphone contraption. Iechyd da. ... more
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